Artist: Arthur Crudup
Author: Arthur Crudup
Label: RCA Victor
Year: 1946
Original title: I Don't Know It. Three years later the first blues/R&B on a 45 (red vinyl). Slightly influenced by Son House's My Black Mama (see there), lyrically connected (slightly) with Blind Lemon Jefferson's That Black Snake Moan ('26) ("Mama, that's all right mama, that's all right for you"), Little Brother Montgomery's Something Keeps A-Worryin' Me ('36 - RCA Bluebird) and Louis Jordan's It's A Low-Down Dirty Shame ('42). Arthur Crudup has always been exploited, as sharecropper in Mississippi, as bluesman under Lester Melrose in Chicago. Nothing changed when his contract was sold to Hill & Range, Elvis Presley's publishing company, who cut four of his songs. Only when Chappell Music bought Hill & Range in '75, the Crudup family finally saw some revenues coming in. Arthur unfortunately had died recently while one of his sons was doing time for robbery.
Covers:
Elvis Presley [acting the fool as That's All Right Mama, immediately followed by Bill Black; recognised by Sam Phillips as the perfect synthesis of R&B, C&W, gospel and pop; less lyrics than Crudup]
Marty Robbins [just like Elvis; his version sold national and ranked higher]
Rockers [as C'est d'accord maman]
Beatles [BBC recording]
Jimmy Ellis [with Blue Moon Of Kentucky on the B-side and on Sun, freshly sold to Shelby Singleton; sounds like Elvis and was first released without any name on the label]
Hank C. Burnette [instrumental]
Jesse Garon [as Tout va très bien maman]
Paul McCartney [on his Russian LP]
Vince Gill [in film Honeymoon In Vegas]
Danny Gatton [in medley]
Guido Belcanto [as It's Alright Mama]
Cheyenne Jackson [in Broadway musical All Shook Up]
Tyler Hilton [in Johnny Cash biopic Walk The Line]
Helmut Lotti [on Hellmut Lotti Goes Metal, using Motörhead's Ace Of Spades under the hood]
A-side of Presley's first Sun single, the song that convinced Sam Phillips and soon a whole babyboom generation with him. After all, this was the first non-ballad he sang in that tiny studio. Sam was utterly baffled when this white kid suddenly uttered this uptempo countryblues rendition of a song written by a black man from Belzoni, MS. Elvis who was raised in that same state, in a '56 interview: "The coloured folks been singing it and playing it just like I'm doing now, man, for more years than I know. They played it like that in the shanties and juke joints and nobody paid it no mind 'til I goosed it up. I got it from them. Down in Tupelo, MS I used to hear old Arthur Crudup bang his box the way I do now and I said if I ever go to the place I could feel what old Arthur felt, I'd be a music man like nobody ever saw".
If you noticed blunt omissions, mis-interpretations or even out-and-out errors,
please let me know:
Arnold Rypens
Rozenlaan 65
B-2840 Reet (Rumst)
Belgium