Cover of MEIN GMÜT IST MIR VERWIRRET in 1730 - as O Haupt voll Blut und Wunden, part of the Matthäus Passion; polyphonic masterpiece all right, but this Middle Aged Leitmotiv served him well
Cover of TRISTIS EST ANIMA MEA (USQUE AD MORTEM) in 1730s - in Der Gerechte kömmt um, motet for choir, basso continuo, three strings and two hoboes; transposed from f to e-minor
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