Artist: Professor And Mrs. I.G. Greer
Author: traditional
Label: Paramount
Year: 1929

This is the hillbilly variation of English-Irish-Scottish ballad family The Gypsy Laddie (see there), Gypsy Davy, Dark-Eyed Gypsy (see there), Seven Yellow Gypsies and Raggle Taggle Gypsy (see there).

Song of the ages. According to rock writer Nick Tosches in his book Country, the theme of Black Jack David finds its origin with Plato and the ancient Greeks: the myth of Orpheus & Euridice, where a god descends on earth to capture a lady. Through Roman writers as Virgil, the Orpheus myth was spread throughout Europe. What is considered to be the first modern opera, Claudio Monteverdi's l'Orfeo (1607), was based on that same theme. The English, Irish and Scots adapted it again. In their ballads no god but a 'Gypsie Lad' took away their wives. Since the 15th century Gypsies and Travelers of disputable repute roamed all over Albion. See a ballad as The Gypsie Laddie, notorious through the writings of Scotland's national poet Robert Burns. The oldest British versions mention a Johnny Faa, a real person who was arrested and executed in 1624, along with his son and seven disciples. The accusation read: "for contemptuously entering and residing in the country". Immigration policy problems are truly of all times, fed by a case of abduction that was proved by a role-model ballad: Lady Cassilis' Lilt, a manuscript from 1630 with similar convincing power as a tabloid headline. A certain Lady Jean Hamilton was in love with a Sir John Faa from Dunbar but got married with the Earl of Cassilis. When that marriage was blessed with two children, the lady's lover reappeared in full Sheik of Araby attire. Lady Hamilton and her Rudolph Valentino were caught in the act by the Earl himself, who executed the Gypsy lad while incarcerating his wife in the castle's tower, throwing the key away. A legend was born. Even today the bridge over the river Doon along the castle wall is still called 'The Gypsies Steps' and there's still an 'Earl Cassell' or a 'Lord Cash' mentioned in modern day versions of the Gypsy Laddie. See the Alan Lomax Collection medley mentioned, whereby the Earl is regarded as the good guy, the 'dark-eyed gypsy' as the bad guy. June Tabor has her own theory explaining this saga's enduring power: a strange man appearing out of the blue, offering a wedded wife a way to escape matrimonial shackles, has long been regarded as an opportunity of a lifetime. In American versions however, where outlaws conquered the West, it's the lady Black Jack David dishonored who took all the blame. Stand By Your Man! Songs about love against all odds will always fascinate.