BARBARA ALLEN

Created on 03/11/2005
Latest update on 01/11/2023

Artist: Clara Butt
Author: traditional
Label: His Master's Voice
Year: 1910

The Vera Lynn of World War One.

Covers:

1927:

Vernon Dalhart

1928:

Bradley Kincaid

1933:

John Jacob Niles [as The Ballad Of Barberry Allen]

1933:

Moses Platt [Lomax recording]

1936:

Rebecca Tarwater [Charles Seeger recording]

1940:

Rebecca King Jones [Anne & Frank Warner recording]

1941:

Maxine Sullivan

1946:

Doris Day

1947:

Merle Travis

1949:

Phil Tanner

1951:

Josh White

1951:

Jessie Murray

1953:

Sarah Makem [Tommy Makem's mother]

1954:

Thomas Moran

1958:

Everly Brothers

1959:

Hawkshaw Hawkins

1959:

Shirley Collins

1961:

Joan Baez

1961:

Jean Ritchie [a cappella]

1962:

Bob Dylan [8 minute version on Live At The Gaslight; "Without Barbara Allen there'd be no Girl From The North Country"]

1963:

Hylo Brown

1966:

Peter & Gordon

1967:

Hedy West

1973:

Pete Seeger

1976:

Art Garfunkel

1988:

De Danann

1994:

Dolly Parton

2000:

Judy Collins

2000:

Norma Waterson

2001:

Emmy Rossum [in film Songcatcher]

2001:

Emmylou Harris [idem]

2001:

Andreas Scholl

2004:

John Travolta [in film A Love Song For Bobby Long]

2005:

Mary Humphreys & Anahata [as Barbrie Ellen; lyrics copied from a 1923 version by William Pittaway from Oxfordshire, collected by Cecil Sharp; on cd Song Links 2]

2005:

Cassie Franklin & Southern Brew [American version on cd Song Links 2]

2008:

Mary McPartlan

2011:

Martin Simpson

2013:

Billie Joe Armstrong & Norah Jones

Song collecting pioneer Samuel Pepys mentioned this murder ballad in his diary in 1666. It was also the favorite melody of Nell Gwyn, king Charles II's favorite. Abraham Lincoln sang it as a child. Song #84 in the Child collection. Model for the ballad form in secondary schools in England and the US. "Hard-hearted Barbara Allen" is buried right next of her "sweet William". A rose and a briar grow out of each of their bosoms and what seemed impossible during both of their lifetimes is accomplished post mortem: they get entwined in a true love's knot. But what this song really advocates is "thou shalt not have pleasure", the dominant Protestant puritan ethic of pious pioneer women punishing their men in the only way they fully controlled.

Contact


If you noticed blunt omissions, mis-interpretations or even out-and-out errors,
please let me know:

Arnold Rypens
Rozenlaan 65
B-2840 Reet (Rumst)

info@originals.be

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