All songs tracing back to an earlier recording than the most reliable one, represented from the first version released to the latest cover, that’s The Originals, musical resource database since 1982. No limit, no nonsense, no mercy. Next time your kids take ersatz for genuine, here’s what you hold up against them.
It’s the sheer size that matters, 18.000 titles and counting.
Artist: George Gershwin & The Paul Whiteman Orch.
Author: George Gershwin/Ferde Grofé
Label: Victor
Year: 1924
Created at the New York Aeolian Hall, inspired by Paul Whiteman. Piano part written by George Gershwin, arranged by Ferde Grofé, who worked for Whiteman. This evening was attended by Leopold Stokowski, Jascha Heifetz, Fritz Kreisler and Sergei Rachmaninov, unanimously delighted.
Covers:
Oscar Levant & Paul Whiteman [in film Rhapsody In Blue]
Bela Fleck [as Rhapsody In Blue(grass), title track lp]
What set George Gershwin apart from other Tin Pan Alley songwriters: he wasn't restricted by the three minute song structure or the laws of the musical theatre. With longer musical compositions, he openly entered and embraced serious territory. His concertos, suites, ouvertures, preludes and rhapsodies could easily match those of Charles Ives or Aaron Copland. His first step in the serious world was a benchmark for American symphonic music in general: his Rhapsody In Blue ranks among the masterpieces of 20th century music, period. Written in three weeks time in 1924 in response to a Paul Whiteman initiative. This popular bandleader, self-proclaimed King of Jazz, made an appeal to mix jazz with symphonic elements, to write jazz pieces for huge orchestras, to create an American classical catalogue. Gershwin's contribution, Rhapsody In Blue, combined European and Jewish harmonics with American rhythms and blue notes. Innovative as it was, there was room to improvise on top. Conductor Whiteman had to wait for pianist Gershwin's sign before launching the orchestra following his solo. Rhapsody In Blue became a legend from the moment it was created in April 1924, with George Gershwin on piano. From the first tones anyone knew something special was taking place: for the first time the daring clarinet glissando set the elegant piece going.
According to Duke Ellington, another major adept of the whole symphonic jazz link, Rhapsody In Blue was tributary to negro song Where Has My Easy Rider Gone.
This ongoing search for the origins of all popular songs imaginable has been bundled in books over the years, four in Dutch, all sold out. Now here's a first edition in English, and the good thing is: you don't need those old versions, for all information still standing and relevant from former editions is encapsulated into this new volume, like Russian babooshka puppets.
The Originals - Prequel of the Hits holds everything, no less. Pure content. Details the lifespan of some 12.000 music titles, all traced back to their earliest manifestation, predating hit version(s) and other relevant covers.
The book is available at www.epo.be.
In February 1982 a two hour radio show was first aired from Brussels, with nothing but the original versions of hits of the day. Made for a change for Soft Cell's Tainted Love, Capt. Sensible's Happy Talk, Fun Boy Three & Bananarama's It Ain't What You Do and Sting's Spread A Little Happiness. Instead of sifting through average early eighties TOTP regulars, in came the mid sixties, late forties, thirties and even twenties, linking a Northern soul classic to a Rodgers & Hammerstein composition, a Jimmie Lunceford theme song and a West End showtune from musical Mr. Cinders.
That was only the beginning. Soon as The Originals' own bag o' goodies ran out, audience participation filled it up again and never stopped doing so. 582 separate The Originals radio shows followed, and counting.
If you noticed blunt omissions, mis-interpretations or even out-and-out errors,
please let me know:
Arnold Rypens
Rozenlaan 65
B-2840 Reet (Rumst)